All articles by Adam Scovell
60 years of Billy Liar: how the Bradford locations have changed today
Not everything is at it seems about the shooting locations for this classic story of a Yorkshire daydreamer.
By Adam Scovell
How the Paris of Lift to the Scaffold looks today
By Adam Scovell
The Offence at 50: brutalism, Bracknell and Sidney Lumet’s dark police drama
By Adam Scovell
The manor house from The Draughtsman’s Contract: how it looks today
By Adam Scovell
Gary Oldman’s London: how the city has changed since Nil by Mouth
By Adam Scovell
Amicus at 60: in search of its crypts, wax museums and other locations
By Adam Scovell
60 years of The Loneliness of the Long Distance Runner: how the locations look today
By Adam Scovell
The Railway Children: in search of the Yorkshire locations, 50 years on
By Adam Scovell
When Robert Altman made a rural horror movie: 50 years of Images
By Adam Scovell
Black Narcissus at 75: exoticism and eroticism in Powell and Pressburger’s masterpiece
By Adam Scovell
Bronco Bullfrog: how the locations from the suedehead classic look today
By Adam Scovell
60 years of Agnès Varda’s Cléo from 5 to 7: how the Paris locations look today
By Adam Scovell
In search of the Withnail & I locations 35 years on
By Adam Scovell
From The Stone Tape to Quatermass: unearthing Nigel Kneale locations today
By Adam Scovell
The Ipcress File: tracking down the locations for the Michael Caine spy classic
By Adam Scovell
Jules et Jim: how the bridge and other locations from François Truffaut’s classic look today
By Adam Scovell
The 400 Blows: finding that beach and the Paris locations today
By Adam Scovell
How Hammer horror locations look today
By Adam Scovell
London After Dark: the nocturnal 1960s films that inspired Edgar Wright... and how their locations look today
By Adam Scovell
Get Carter at 50: how the Tyneside locations look today
By Adam Scovell
Brighton Rock: in search of the locations for the vicious British noir
By Adam Scovell
Mona Lisa: going back to the locations of the British neo-noir, 35 years later
By Adam Scovell
Richard Burton’s London: revisiting the locations of gangland classic Villain, 50 years later
By Adam Scovell
Pool of London: in search of the locations for the classic British noir
By Adam Scovell
Architecture of adolescence: the suburban landscapes of I Start Counting
By Adam Scovell
Simone Signoret: remembering a French screen legend on her centenary
By Adam Scovell
60 years of La notte: how Antonioni’s film walked over the empty glamour of the 1960s
By Adam Scovell
Watch a cult classic #9: Payroll
By Adam Scovell
In search of the locations for Jean-Luc Godard’s Breathless
By Adam Scovell